The Direct Approach by Dr. Sigal Jacobson

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Dentaltown Magazine

by Dr. Sigal Jacobson

In everyday practice, composite restorations have become an integral part of contemporary restorative dental practice and can be called “star of minimal invasion” because of their conservative concept and affordable cost.

Recent developments in composite resin considerably improve physical and aesthetic properties, enabling practitioners to create restorations with excellent longevity and a higher patient satisfaction rate.1

Many dentists consider direct composite placement in the anterior region, whether to enhance to the tooth shape or color, to be somewhat challenging. Some of these challenges include creating the final anatomical landmarks and contours and selecting the precise shade of composite that will blend and polish to perfection. The technique demands an artistic skill and considerable investment of time and effort.

In addition, many composite manufacturers propose a multilayer protocol, which requires placing an assortment of opacities and translucencies to create a natural, polychromatic effect. In clinical situations, layering techniques are complicated and time-consuming. As a result, many dentists give up on layering techniques and search for simpler methods and materials that involve creating restorations with only one or two shades of composite.

This article will outline a unique and efficient technique to create natural-looking direct veneers with a single composite shade using the Uveneer composite template system.

The Uveneer system is an assortment of templates that simulate the buccal shape and anatomical landmarks of anterior teeth. The kit consists of maxillary and mandibular teeth, from premolar to premolar, in two sizes based on the smile design rules and proportions and will fit most patients.2 Each template is made from a transparent, fiberglass-based material, making the kit durable and autoclavable.

After applying composite on the facial surface of a prepped tooth and pressing the appropriate template, one round of light curing—after which the template is removed—produces a void-free restoration. Moreover, studies show that the oxygen inhibition layer (OIL) is softer and more susceptible to wear and stain.3 With light curing through the template, the formation of the OIL is prevented, forming a glossy and more durable restoration.

Office Highlights

Shade selection in five steps
king anterior restorations is matching the right composite shade to the tooth. This step is crucial and has a significant impact on the success of the restoration. There are a few factors that affect the final restoration shade.

  1. Appearance analyses indicate substantial variation between same shades from different brands (Fig. 2). Different thickness of the same composite may present differently in shade and masking ability.
  2. The underlying tooth reflects on the composite and will affect the final shade.
  3. A gray appearance of the composite can be caused by the projection of darkness in the oral cavity.4
  4. Light curing and polishing changes the final shade and lowers the value (varying by brand and shade).5–6

Here are five steps to overcome the challenge of creating a natural-looking restoration.

1: Keep it simple!
Spectrophotometry confirms that 90 percent of patients will present with an A hue. It is advised to reduce your composite inventory and avoid having too many shades in your armamentarium. The most common shades are A1, A2, A3, A3.5, A4, B1, bleach white and translucent.

2: Divide your composites into roughly three groups.
Low-value composites (e.g., Clearfil Majesty Esthetic from Kuraray; Gaenial Universal Flow from GC America) exhibit a light-diffusion property similar to natural tooth structure, with excellent tooth-blending properties. These composites are recommended for small enamel fixes, Class V, and cases when maximum blending with no masking is required. Using low-value composites in thick layers may appear grayer in appearance.

Medium-value composites (e.g., Venus from Kulzer; Vit­-l-escence from Ultradent) are used in many aesthetic cases. When applied in approx. 0.5mm thickness or more, they can mask, and at the same time incorporate, a “chameleon effect.”

High-value composites (e.g., Amaris from Voco; Gradia from GC America) are used in a thin layer, present with high opacity and masking capabilities, like in cases where changing the underlying tooth color is required with minimal composite thickness, and without having to use opaques. These are only suggestions, because one brand can also incorporate all three groups in its range.

3: Be familiar with your composites’ shade capabilities.
It’s advisable not to change composite brands too often, as it takes time to get familiar with each one’s composite shade and value characteristics.

4: Prepare individual shade guides.
When selecting a composite shade to match a tooth, a common mistake is using a ceramic shade guide that’s fabricated from materials that differ entirely from the composites. Therefore, it is advised to create an individual, custom-made composite shade guide that will generate an accurate and realistic representation of the composites on hand. The composite shade guide should look as close as possible to the contours and gloss of the final result. The case that follows, the individual shade guides were created from the Uveneer template (Figs. 3–6).

Office Visit

5: Create direct mock-ups.
Having the end result in mind before starting any case plays a significant role in the success of any aesthetic work. In that respect, a simulated direct composite mock-up without bonding it to the tooth is highly recommended. Direct mock-up allows the dentist to effectively view the final restoration regarding shape and final shade and take the guesswork out of shade selection. It is also a great communication tool with the patient on the final aesthetic result.

Shade selection mock-up should be performed on the same tooth you plan to work on, under a natural humidity (as dehydration brightens the tooth). It is also recommended to build the mock-up to the same thickness of the finished restoration. Once accurately polished and made into a realistic representation of the final result, remove it with the help of an instrument.

One-shade polychromatic composite veneer
It is a fact that teeth have a polychromatic appearance with a great variety of shades and nuances perceived and interpreted by the human eye. To mimic the natural gradient effect, dentists learn to apply multiple composite shades in different areas of the tooth.

In reality, enamel does not present with different shades and is somewhat translucent and colorless. It’s perceived as polychromatic because of the reflection of the dentin through different thickness of enamel in different areas of the tooth.

By using a single shade of composite of varying thickness, a significant difference in chroma, value and masking capability will be created.7–8

It is recommended to use the advanced nanocomposites with a chameleon effect, in which the composite “picks up” colors from the underlying teeth.

Another reason for the natural looking results of using a template are the embedded surface morphology reflections, which have a significant influence on appearance. By pressing a tooth-shaped template upon a composite resin, a 3D restoration with contours and anatomical landmarks of a natural tooth is formed. This affects how the light reflects back and is perceived by the eye.

Remember the “perceived” shape, length, and width of an anterior tooth is significantly influenced by the specular reflections coming from the surface morphology, heights of contour and line angles of the buccal surface.9

Creating an incisal edge translucency
In some cases, more pronounced incisal translucency is required. In such scenarios, it is recommended to apply dentin shade on the tooth, and before curing, create lobes using an IPC or a cone-shaped instrument (Figs. 7–13).

Office Visit

Conclusion
Dentists need to be open-minded to new techniques while preserving the tooth structure, use common sense and rely on evidence-based dentistry. With new product developments and advanced contemporary composites, it’s possible to create predictable natural results every time while only using one or two shades of composite.

Figs. 7–13 courtesy of Drs. Mauricio Jegerlehner and Jorge Flores.


References
1. BDA evidence summary, Bonded composites versus ceramic veneers.Case Reports in Dentistry, June 2014
2. Ward DH. Proportional smile design using the recurring esthetic dental (red) proportion. Dent Clin North Am. 2001;45:143-154.
3. The effect of the oxygen inhibition layer on interfacial bond strengths and stain resistance of dental resin composites. The University of Birmingham, Essam Salem Shawkat BDS, April 2009
4. Color-Matching and Blending-Effect of Universal Shade Bulk-Fill-Resin-Composite in Resin-Composite-Models and Natural Teeth. Biomed Res Int. 2016,Rasha M. Abdelraouf , Nour A. Habib
5. Assessment of changes in color and color parameters of light-cured composite resin after alternative polymerization methods. Emine Sirin Karaarslan,1 Mehmet Bulbul,2 Ertan Ertas,3 Mehmet Ata Cebe, 2016,Ero J Dent.
6. Color and translucency of A2 shade resin composites after curing, polishing and thermocycling. Lee YK1, Lim BS, Rhee SH, Yang HC, Powers JM.. Volume 2017 (2017), Esthetic Rehabilitation with Direct Composite Veneering: A Report of 2 Cases Kyatham. Pubmed, 2005
7. Influence of Different Enamel Shades and Thickness on Chroma and Value of Dentin Vita Shade: An in vitro Comparative Assessment Study, Noor Saira Wajid Najma Hajira, 2 Deepak Mehta, 3 P Ashwini, 4 N Meena, 5 HL Usha
8. Translucency and Masking Ability of Various Composite Resins at Different Thicknesses, Farideh Darabi a, Golpar Radafshar b, Maryam Tavangar a, Reza Davaloo a, Aref Khosravian c, Nastaran Mirfarhadi, J Dent Shiraz Univ Med Sci., September 2014; 15(3): 117-122.
9. Inside Dentistry. The Optical Characteristics of Natural Teeth, James Fondriest, DDS November 2012, volume 8, issue 11.
10. Color matching with composite resin: a synchronized shade comparison. Pract Proced Aesthet, Terry DA. Dent. 2003
11. Paravina RD, Kimura M, Powers JM. Color compatibility of resin composites of identical shade designation. Quintessence Int. 2006;37(9):713-9.
12. Fahl N Jr. A polychromatic composite layering approach for solving a complex Class IV/direct veneer/diastema combination: Part II. Pract Proced Aesthet Dent. 2007;19(1):17-22.
13. Franco EB, Francischone CE, Medina-Valdivia JR, Baseggio W. Reproducing the natural aspects of dental tissues with resin composites in proximoincisal restorations. Quintessence Int. 2007;38(6):505-10.
14. Terry DA. Restoring the incisal edge. N Y State Dent J. 2005;71(5):30- 5.
15. Robert Lowe DDS, Composite restorations: Subtleties in shade and techniques, peer review publication, October 2010
16. Vanini L. Conservative composite restorations that mimic nature: a step-by-step anatomical stratification technique. J Cosmetic Dent. 2010;26(3):80-98


Author Bio
Author Dentist and inventor Dr. Sigal Jacobson is an internationally acclaimed lecturer with more than 22 years of experience in aesthetic dentistry. Jacobson, who has been named one of the “Top 25 Women in Dentistry,” enjoys teaching and advancing skills in conservative aesthetic dentistry. She strongly believes that dentists need to protect tooth vitality and respect its natural structure. Jacobson has contributed clinical case studies in leading dental magazines in the U.S. and lectures on minimally invasive aesthetic dentistry and simplifying anterior composite restorations using the Uveneer system. In her lectures, she provides insightful tips and practical learning tools for everyday practice.
 
 

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